Posts tagged with: music
January 27, 2010

Adventures in Home Theater

I went out and bought a stereo receiver today.

In this case, ‘receiver’ means, ‘amplifier, tuner, and switcher.’ It’s the box you plug your audio sources into, amplifies the audio and sends it out ot speakers, and has a built-in AM/FM tuner.

This one was a Sony brand. It cost about $165. I was considering a slightly cheaper one for $150 (also a Sony) but I decided on the upgrade since it was only $15 more, and the better one had support for 5.1. 5.1 being a fancy term for ‘surround sound’. (The 5 refers to the 5 ‘surround’ speakers — left/right/center in the front, and left/right in the rear — the 1 refers to the single subwoofer.) I’m not even set up for surround at the moment — I only have the standard 2 speakers connected, but it gives me the ability to upgrade later.

Right now I have my DVD player (which doubles as a CD player) and XBox (which doubles as a media center) connected up. The trick was getting everything working together smoothly.

First was to get both the XBox and DVD player connected to the television. Since I have an older TV that doesn’t have ‘Line’ inputs, only the old coax-style connection, I needed an adapter box to plug in the RCA-plug line inputs that everything uses nowadays. Simple enough device, it takes the line inputs in one end, and a coax on the other end, and the coax goes into the TV, which you tune to channel 4.

It also has a coax input, which you plug your antenna or cable TV input into. The box turns on automatically when the connected device (DVD player or whatever) is turned on. So you can go between watching your cable TV and your DVD player without having to manually switch anything — you just turn on the DVD and the adapter kicks in. This feature is important for another reason…

The adapter box only has inputs for one device. So in order to connect both the DVD and the XBox to the TV, I needed either a switchbox or another adapter box. The adapter box turned out to be cheaper (if I had more than 2 devices the switch would have been cheaper), and it had the advantage of being automatic, unlike the switch. So I plugged the DVD into one box, the XBox into the other, and daisy-chained them together by plugging the coax output from one into the coax input of the other. This way, when I turn on either device the appropriate adapter automatically comes on. (If I turn both on, one will override the other.) If both are off, I could watch cable TV normally, if I had cable.

Now that the video side of things is set up, I could tackle the audio.

I’ll start with the XBox, since it’s a little more complicated. I want to be able to run the XBox with audio running to both the stereo and TV (so I could, say, use the XBox without having to turn on the stereo too). So I split the audio signals so that one set of cables went to the adapter box (and ultimately to the TV), and another went to the stereo.

The XBox has Media Center abilities as well. (Not the greatest in the world, but passable.) It has USB ports, and can play music off of a removable device, so I took a large external hard drive that I had lying around disused, dumped my entire music collection onto it, and plugged it into the XBox.

Now I can turn on the XBox, select the music I want, then turn off the TV and just let it play through the stereo. Or I could just turn on the XBox and TV to play a game or something, without turning on the stereo.

Now for the DVD player. I faced a similar issue with the setup — I wanted to be able to turn on the DVD and TV to play a video without involving the stereo, or turn on the DVD and stereo and play a CD without involving the TV. This turned out to be simpler than the XBox, as the DVD player has a second audio output — a digital output — so there was no need to use a splitter. I could simply plug the analog outputs into the adapter for the TV, and the digital output into the stereo. Now I can use the DVD player with either the stereo or TV, independent of the other.

The final part is the part I’m still struggling with — getting it all working without a army of remote controls.

The XBox doesn’t come with a remote at all, though it’s capable of using one. Microsoft expects you to buy one separately — theirs, of course. However, any number of universal remotes can control the XBox. Finding one that does a good job of it is the trick.

The first one I tried — a cell-phone style flip-open remote that I had been using for the TV for some time now — had a code listed for the XBox, but it didn’t work. I suspect it was for the original XBox, while the 360 (which is what I have) requires a different one. However, by using a code search, I was able to find a code that could control the 360 — an unlisted code at that; the code I found isn’t on the list of codes anywhere, for any device.

This remote had two issues. First was the usual problem with universal remotes: Since every remote has a slightly different set of functions, a universal will almost always (a) be missing some functions, or (b) have functions labelled in a less than meaningful way.

For example, programming this remote to control the stereo results in the ‘obvious’ functions, such as volume control, working as expected. It has other functions that work but are labelled in a somewhat non-intuitive way, for example the radio tuning function are assigned to the next/previous chapter buttons (intended for DVDs) — a reasonably sensible choice, given the options.

However, some essential functions are assigned completely arbitrarily, such as the input selection being controlled by the number buttons; 1 for CD, 3 for radio, 4 for DVD, and suchlike. This is the result of the universal remote having to support the ‘lowest common denominator’ of functionality. It can’t have individual buttons dedicated to input sources (as the original stereo remote has); there are just too many possibilities. So the functions have to be stuffed into whatever pigeon-holes are available.

The second issue is more specific to this particular remote. It’s designed to be compact, so it has fewer buttons on it. To access most of the possible functions on any given device, it has a ‘shift’ key which, when active, changes the meanings of many of the buttons on the remote. It has, for instance, a set of Channel Up/Down and Volume Up/Down buttons, arranged in a directional-pad. When the shift key is active, these buttons become selection buttons for things like DVD menus, moving the on-screen selection up, down, left or right. This multiple-mode setup makes the remote less intuitive to use.

This remote has other screwball assignments as well. It has no Next/Prev track button, for, say, jumping back and forth between chapters on a video, or tracks on a CD. So the answer to that was for Next/Prev track to be assigned to Shift+Play and Shift+Stop. Very unintuitive for someone that’s used to a CD player, and trying to use the DVD player as such.

While I can deal with this issue with the DVD player by simply using the original DVD remote, I can’t do so with the XBox, because it has no original remote. So I bought another universal remote, hoping for something that worked better.

The second one was better, somewhat. It had more obviously-labelled buttons. However, it still had the “shift key” style setup that the previous remote had, at least for the Channel/Volume/Selection buttons. To use the selection buttons, you first had to press either the “Guide” or “Menu” button, and the remote would change modes. Unfortunately, pressing Guide or Menu in itself will activate a function on the remote, sometimes undesired. Pressing Menu for example will bring up the XBox menu, which is not what you want if all you’re trying to do is activate the selection buttons for the screen you’re already at.

So I tried another remote. This one has both dedicated volume/channel and selection keys, so you doesn’t have to switch modes to switch from one to another. It also seems to control most of the important functions on the XBox. However, it has one glaring omission: there are no buttons for skipping to the next or previous track! This makes it impossible to change music tracks without turning the TV on and selecting a track from the on-screen interface.

So overall, the setup is working pretty well, except that I’m still on the hunt for a remote that satisfactorily controls the XBox.

Tags: me music tech
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June 29, 2009

Today’s Music Acquisitions

  • David Gilmour
  • About Face - David Gilmour
  • On An Island - David Gilmour
  • Amused to Death - Roger Waters
  • La Luna - Sarah Brightman

(via Rasputin)

Tags: me music
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May 19, 2009

Music Review: The Alan Parsons Project

I used to say that Pink Floyd was my favourite band. Now, I realize that at best they’re a tie with The Alan Parsns Project. The Project has the unique property that I actually really like just about everything they ever did. Even Pink Floyd can’t claim that.

So, in my typical style, on the Binary Scale (which goe from 0 to 1, integral), is my review of the Project discography and related albums.

Project Albums

  • Tales of Mystery and Imagination
    The Project’s debut album, inspired by the works of Edgar Allen Poe. This is one of their best.

    Score: 2
    Top Picks: The Tell-Tale Heart, The Cask of Amontillado, The System of Doctor Tarr and Professor Fether

  • I Robot
    Described as “A look at the future through the eyes of the present,” this is another one of their best

    Score: 2
    Top Picks: I Robot, Don’t Let It Show, The Voice

  • Pyramid
    The complement to I Robot, described as “A look at the past through the eyes of the present,” this is good, but I don’t like it quite as much as the others.

    Score: 1
    Top Picks: In The Lap of the Gods, Pyramania

  • Eve
    As the title implies, an album about women, and their effect on men. Generally believed to be their weakest album, meaning that instead of being great, it is merely good.

    Score: 1
    Top Picks: You Lie Down With Dogs, Damned If I Do

  • Turn of a Friendly Card
    An album about risk, reward, and luck. Another one of their best.

    Score: 2
    Top Picks: Games People Play, The Ace of Swords, Nothing Left to Lose

  • Eye In The Sky
    Their best selling album, with their biggest hit single as the title track, this album is all great.

    Score: 2
    Top Picks: Eye In The Sky, Silence and I, Psychobabble

  • Ammonia Avenue
    An album about the disconnect between scientific development and the public perception thereof, this is sometimes cites as their most ‘radio friendly’ album. I didn’t like this one when I first heard it, but it grew on me after subsequent listenings

    Score: 2
    Top Picks: Prime Time, Dancing on a Highwire, Pipeline, Ammonia Avenue

  • Vulture Culture
    An album about consumerism, originally planned to be part of a double album with Ammonia Avenue, but ultimately released separately. Not one of their very best, but still a great album.

    Score: 2
    Top Picks: Days are Numbers, Somebody Out There

  • Stereotomy
    An album about the pressures of fame, this is one of my favorites, though not one of their most successful albums.

  • Score: 2
    Top Picks: Stereotomy, In The Real World, Where’s The Walrus, Light of the World

  • Gaudi
    The Project’s final album before the official ‘breakup’, inspired by architect Antoni Gaudi. Again, a great album but not one of their best.

  • Score: 2
    Top Picks: La Sagrada Familia, Too Late, Standing on Higher Ground

Solo Releases

  • Eric Woolfson - Freudiana
    A Project album in all but name, featuring almost all members of the original group, this is half Project-style prog-rock, and half musical soundtrack-style tracks — Woolfson subsequently turned the project into an actual stage musical.

    Score: 2
    Top Picks: The Nirvana Principle, I Am A Mirror, Upper Me

  • Andrew Powell - Ladyhawke Soundtrack
    Released as an ostensibly solo album by the Project’s orchestra conductor, this is almost an (instrumental) Project album in its own right. Its style is very much like the synth/rock/orchestra Project tracks of the 80s, though it’s mostly made up of very short songs, being the soundtrack to the movie of the same name.

    Score: 1

Alan Parsons Solo Albums

  • Try Anything Once
    Parsons’ first ostensibly ‘solo’ album, in realty every bit an ensemble as a Project album. It has no overarching theme to it, but it is one of his best.

    Score: 2
    Top Picks: The Three Of Me, Turn It Up, Mr. Time, Oh Life (There Must Be More)

  • On Air
    An album about human flight. This is probably my favorite Parsons solo album. It also marks the beginning of Parsons’ experimentation with Techno-style music with Apollo

    Score: 2
    Top Picks: Too Close to the Sun, Blown by the Wind, Fall Free, Apollo

  • The Best Of Live
    A live album with three bonus studio tracks, I only review (and indeed, own) the studio tracks here.

    The thing about an act like Parsons is, even when they’re bad, they’re good. And these tracks… They’re great.

    Score: 2

  • The Time Macine
    I think this is Parsons’ weakest solo album, but it’s still good, and has some really great tracks on it. It continues his experimentation with Techno-esque music, though still mostly Projectesque prog-rock tracks.

    Score: 2
    Top Picks: The Time Machine Part I, The Call of the Wild

  • A Valid Path
    I heard this album described as (in so many words) “Alan Parsons Goes Techno”, and I knew I had to have it. I went out and bought it new (instead of used like most of what I buy). It’s true. Alan Parsons has gone techno. It’s still Parsons, but it’s Parsons in a whole new genre. And it has all the musical goodness of Alan Parsons. Also features David Gilmour on guitar on Return to Tunguska

    Score: 2
    Top Picks: Return to Tunguska, Chomolungma

Various ‘Best Of’ Albums

How the hell can you have a ‘best of’ album when damn near every album you ever released is already a ‘best of’ album? I won’t bother to review them as it should be obvious what it would say at this point.

Tags: stuff music
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May 17, 2009

Music Review

Albums

  • Metallica - Master of Puppets
    Commonly considered to be their best album, this has some great classics, and some lukewarm tracks.

    Score: 1
    Top Picks: Master of Puppets, Welcome Home, Orion

  • Metallica - S&M
    A live album, recorded with the San Francisco Symphony. While I usually like rock/symphony fusion (witness all the Alan Parsons and ELO in my collection), this one doesn’t really appeal.

    Score: .5

  • Pink Floyd - A Saucerful of Secrets
    While I already had this one, I picked it up again as this is a more recent, higher-quality release. Early Floyd, as they were transitioning from their early psychadelic rock sound to progressive rock. Most of it is great, but some of it is merely good.

    Score: 1
    Top Picks: Let There Be More Light, Remember A Day, Jugband Blues

  • Alan Parsons - You’re The Voice
    Actually there is no such album, I compiled these three tracks as a ‘fictitious EP’ from the three bonus tracks off the Best Of Live CD, since those were the only three tracks I bought.

    The thing about an act like Parsons is, even when they’re bad, they’re good. And these tracks… They’re great.

    Score: 2

Single Tracks

  • The Alan Parsons Project - The Naked Robot
    A compilation of early edits to the instrumental tracks on I Robot. Very similar to the final releases, but there’s a few differences to be spotted.

    Score: 1

  • Alan Parsons - Antarctica
    This is actually “Return to Tunguska” off A Valid Path, minus David Gilmour’s guitar overdubs. It’s a good song on its own, but it’s missing a lot of its power without the guitar.

    Score: 1 (The full version would get a 2)

  • Ozzy Ozbourne - Crazy Train
    Classic metal track from Ozzy; there’s not much more to say

    Score: 1

  • 3 Doors Down - When I’m Gone
    Another favorite 3 Doors Down track of mine, along with Kryptonite and Loser

    Score: 1

  • Theory of a Deadman - Bad Girlfriend
    Fun, upbeat metal song about a risque girlfriend.

    Score: 1

Tags: music stuff
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April 27, 2009

More Music Acquisitions

  • Metallica - Master of Puppets
  • Metallica - S&M
  • Pink Floyd - A Saucerful of Secrets

via Rasputin

Tags: me music
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Today’s Music Acquisitions

“Bonus” studio tracks from Alan Parsons - The Very Best Live (I didn’t buy the live part, just the studio tracks)

  • When
  • Take the Money and Run
  • You’re the Voice

Other miscellaneous Alan Parsons tracks

  • The Naked Robot
  • Antarctica

And two other individual tracks

  • Ozzy Ozbourne - Crazy Train
  • 3 Doors Down - When I’m Gone

All via Amazon MP3

Tags: me music
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April 10, 2009

Music Review

As always, everything is rated on the Binary Scale.

  • Synthesizer Greatest, Volume 2
    A compilation of new-age synthesizer music. Very spacey.

    Score: 1
    Top picks: Magnetic Fields

  • Gwen Stefani - The Sweet Escape
    Roughly half bubblegum pop and half rapless-hiphop (the subject of another article I might write soon), not entirely dissimilar to her previous album.

    Score: 1
    Top Picks: The Sweet Escape, Early Winter, 4 in the Morning, U Started It, Wonderful Life

  • Experience Hendrix - The Best of Jimi Hendrix
    My dad will surely disown me for this, but this album merely taught me that I don’t really like much of Hendrix’s music.

    Score: .5
    Top Picks: Fire, All Along the Watchtower, Foxy Lady

  • Oystein Sevag - Global House
    Acoustic (mainly), mellow, worldly new-age music. My mom gave me this album some years ago, but I stupidly gave it back because I didn’t like it. Turns out I was a bit too quick to judge.

    Score: 1
    Top Picks: Global House

  • Dire Straits - Money For Nothing
    This is one of Dire Straits’ best-of albums. I bought it thinking it was Brothers in Arms. There’s only one track on it that I really like that’s not on Brothers in Arms.

    Score: .5
    Top Picks: Sultans of Swing, Walk of Life, Money for Nothing, Brothers in Arms

  • Dire Straits - Brothers in Arms
    A week later, after realizing my mistake, I bought this album. Turns out the only songs I really like are already on Money for Nothing, though at least buying this album got me the full versions. (The ones on Money for Nothing are edited)

    Score: .5
    Top Picks: Money for Nothing, Walk of Life, The Man’s Too Strong, Brothers in Arms

  • Pink Floyd - Is There Anybody Out There?
    The live recordings of The Wall from the original 1980-81 tour. It’s remarkably similar to the studio version, though the live shows had some extra material that were cut from the studio album for time.

    Score: 1
    Top Picks: Another Brick in the Wall, Part 2, Mother, One Of My Turns, Comfortably Numb, Run Like Hell

  • Tom Petty and The Heartbreakers Greatest Hits
    It’s Tom Petty. How far wrong can you go?

    Score: 1
    Top Picks: I Need To Know, Refugee, Runnin’ Down A Dream, Free Fallin’, Mary Jane’s Last Dance

  • The Police - Every Breath You Take: The Classics
    Anyone following this blog may have noticed by now that I buy a lot of “best of” albums. I do this when there’s an artist that I’m interested in, but not sure of any particular album I want to get. In this case I bought it based on some of their songs that I’d heard before that I liked, and discovered a few more that I liked.

    Score: 1
    Top Picks: Can’t Stand Losing You, Message in a Bottle, Every Little Thing She Does Is Magic

  • The Beatles - Past Masters
    The definitive collection of all the singles, EPs, and other tracks that didn’t see release on any of the ‘official’ albums.

    Score: 1
    Top Picks: Hey Jude, Let It Be

  • The Beatles - Help!
    Probably my second favorite Beatles album (after Abbey Road), this is the album where they start to emerge from their ‘sappy love songs’ phase that dominated their earlier releases. I’ve liked this album since I first saw the movie in my teens, and subsequently raided my dad’s old reel-to-reel tapes (and machine) for more Beatles (and other) material.

    Score: 1
    Top Picks: Help!, The Night Before, You’ve Got To Hide Your Love Away, Ticket to Ride, Yesterday

  • Beatles For Sale
    More of their aforementioned ‘sappy love songs’ phase.

    Score: 0

  • The Beatles — Let It Be
    The last Beatles record released (though the second-to-last recorded), this is the version originally produced by Phil Spector from the raw studio tapes (as opposed to the ‘Naked’ version released years later, remastered without Spector’s embellishments)

    Score: 1
    Top Picks: Let It Be, Get Back

  • Beastie Boys - Hello Nasty
    Mostly hip-hop (from a trio of white boys no less), with some experimental, even downright jazzy tracks.

    Score: 1
    Top Picks: Body Movin’, Intergalactic

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April 6, 2009

The “Complete” Beatles Discography

A.K.A. “The complete list of CDs you have to buy to get all the material the Beatles ever released”

Having bought “Past Masters” volumes I and II today, I was reminded of the confusion regarding the official, complete Beatles discography. Between the myriad non-album singles, EPs, and differing album versions, it’s difficult to tell what exactly makes up the ‘canonical’ list of ‘official’ Beatles releases.

Here, as best I can figure from Wikipedia, it is:

  • Please Please Me
    The Beatles’ first album, as released in the UK. Roughly equivalent to “Introducing… The Beatles” in the US.
  • With The Beatles
    The second UK release. The tracks in this album were spread over the (despite the title) second and third US releases, “Meet The Beatles” and “The Beatles’ Second Album”, along with several non-album singles.
  • A Hard Day’s Night
    The third UK release. One album side contains the film soundtrack, the other side contains songs not featured in the film. The US release had the film soundtrack side, plus several instrumental renditions used in the film.
  • Beatles For Sale
    The fourth UK release. Songs from this album could also be found on the US releases Beatles ‘65 and Beatles VI
  • Help!
    The fifth UK release. Like “A Hard Day’s Night,” the first side was the film soundtrack, the second side the non-film portion. Also like “A Hard Day’s Night,” the US release featured the film soundtrack side plus instrumental tracks heard in the film.
  • Rubber Soul
    The sixth UK release. Roughly equivalent to the US release, but the US release omits some tracks, later published on the US-only “Yesterday… and Today”
  • Revolver
    The seventh UK release. Again, the US omits some tracks, which are also on “Yesterday… and Today”
  • Sgt. Pepper’s Lonely Hearts Club Band
    The eighth UK release. From this album on, the US versions had the same tracklisting as the UK versions.
  • The Beatles
    The ninth UK release, commonly referred to as “The White Album” for its nondescript white cover
  • Magical Mystery Tour
    The US release is the ‘official’ version of this album for a change. The UK version was actually a double EP; the US version is a full album, with the EP tracks from the UK plus several non-album singles.
  • Yellow Submarine
    The soundtrack for the film, the A-side contains six Beatles recordings (two of which were released previously), the B-side containing George Martin’s instrumental score for the film.
  • Abbey Road
    The eleventh UK album, and second-to-last released, though the last recorded.
  • Let It Be
    The twelfth and final UK album, though actually recorded during the aborted recording session preceding Abbey Road. John Lennon gave the raw studio tapes to Phil Spector, who mixed a full album out of it. Years later it was remixed into a new version, sans Spector overdubs, as “Let It Be… Naked”
  • Past Masters
    Two volumes comprising all singles, B-sides, and other material not released on any of the ‘official’ releases listed above.

Note that this only includes the ‘original’ album and single releases during the band’s tenure, and not the Anthologies, compilations, and other material released years after the breakup.

Tags: stuff music
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Today’s Music Acquisitions

  • The Beatles - Past Masters Volume I
  • The Beatles - Past Masters Volume II
  • Beatles For Sale
  • The Police - Every Breath You Take - The Classics
  • Tom Petty and the Heartbreakers - Greatest Hits

via Rasputin

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March 30, 2009

Today’s Music Acquisitions

  • The Beatles - Help
  • The Beatles - Let It Be
  • Oystein Sevag - Global House
  • Dire Straits - Brothers In Arms
  • Pink Floyd - Is There Anybody Out There? The Wall Live 1980-81

(via Rasputin)

Tags: me music culture
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